GREEN GOLD

 
artsmenu

Jan Nimmo has worked as a practising artist since 1985 when she graduated from Glasgow School of Art. Since then she has exhibited regularly and explored a range of media including drawing painting, collage, printmaking, textiles, installation and film.

Her attitude to practice has been influenced by her numerous travels to Latin America. She has researched Cuban traditional popular music, Mexican popular art and culture including the Mexican Calendar of Fiestas, the mythology and the politics of conflict in Guatemala, and the stories of workers on banana and pineapple plantations throughout the region as part of her Green Gold project.

The politics of food forms an important strand in Jan's work, from the big agribusiness driven by profit and pesticides to small producers in Spain and Scotland. She herself is a grower and active member of her local allotment association.

Another key strand to her work is that of first hand testimony as she sees her role of artist as both bridge builder and as witness.

Apart from making her own work Jan offers a variety of services including graphic design and participatory community arts projects tailor-made for groups of all ages and abilities. For more information visit the workshop page.

Jan at Glasgow Print Studio and a detail of a woodcut Jan made of her father, Neil Nimmo
GREEN GOLD

Jan initiated the Green Gold collaborative arts project in 2000 after meeting and interpreting for Costa Rican banana workers' trade unionists, Carlos Arguedas and Doris Calvo. The aim of this long running project is to give a human face to the realities of the workers who produce bananas, Britain's top selling fruit. Jan has used a variety of media, from gathering and publishing testimonies to photography, woodcut portraits and installation, and also through being an active campaigner for both the rights of workers and for environmental justice for the communities close to big "dollar" plantations.

Jan has highlighted the social and environmental impact of pineapple production as part of Green Gold. Her work has involved field trips to Costa Rica, Ecuador, Panama and more recently to Cameroon, where she has filmed and edited testimonies for Make Fruit Fair. A key element of the project is documentary film. Jan has made made two award winning documentaries about the iniquities of the conventional banana trade, "Bonita:Ugly Bananas" and "Pura Vida", as well as making video installations on the same theme. As part of Green Gold Jan works in close collaboration with Banana Link, with whom she worked as Scottish Coordinator for a number of years.

Jan has produced a series of woodcut portraits of banana workers/trade unionists for the project which has been exhibited at various venues including Functionsuite and The Byre Gallery.

Jan has recently gathered video testionies and taken photgraphic portraits of banana workers in Cameroon, Central Africa.

A catalogue of Jan;s art work for sale will be available online soon.

Deleafer, Cameroon - photograph:Jan Nimmo and a woodcut portrait of CarlosArguedas Mora by Jan Nimmo
 
LIE OF THE LAND

The Lie of the Land project is a slow burning photography/testimony based project which looks at people involved in producing food - from banana workers in Cameroon to small producers in Southern Spain and farmers in Jan's native Kintyre.

Through her experience in working closely with banana and pineapple workers in Latin America, Jan has become interested in the alternative, small scale local sustainable food production. She is a member of Plot 16, a mini collective who share an allotment in Glasgow, and Jan believes she inherits her enjoyment of growing food, from her father, Neil.

As a regular visitor to the Sierra de Huelva, Jan has explored the countryside of the Parque Natural Sierra de Aracena y Picos de Aroche with her horse, Chaparro, on rides that have ranged as far as the Portuguese border in the west, Extremadura in the North and as far as Zufre in the East. During the many hours spent on horseback she has gained an intimate knowledge of the Sierra and the people living and working there. She has been gathering portraits and footage of small producers who rear black Iberian pigs, harvest chestnut and who produce cork - or in many instances do all three.

As part of the project Jan has made a film about the yearly winter pig kill so typical of that part of Spain. The film, La Chacina de La Suerte, is not only about sustainable meat production - it is also a portrait of the family who look after Chaparro.

Odulio and his donkey Morena and Rufino apples, Sierra de Aracen. Photographs: Jan Nimmo
 
BUSCANDO AMÉRICA
 

In Buscando América (In Ssearch of America) Jan brought together research she carried out in Latin America to challenge the Scottish perception of "America" and to build a bridge between popular culture in Latin America and Scotland. This involved field trips to Cuba, Mexico and Central America.

In Cuba Jan carried out field trips where she met, photographed and recorded interviews with veteran Cuban musicians. She sought out singers and musicians who played many of the genres peculiar to Cuba: son, guajira music, danzón, the cycles of rumba, charanga, trova, changuí and the sacred drum music of Santería. She interviewed numerous musicians including Compay Segundo (Francisco Repilado), Reinaldo Hierrezuelo and Tito Gómez.

During numerous visits to Mexico Jan researched Mexican popular art through its artisans and she also linked this to the Mexican calendar of fiestas. The other strand to the project looked at human rights and was essentially the beginning of the Green Gold banana workers’ project.

The body of work that came from the project was a series of woodcut/collage portraits and photographs of Mexican and Cuban musicians and artisans from Central and Southern Mexico. Jan very deliberately choose to the medium of woodcut as is was a way of working widely favoured in Latin America (Leopoldo Méndez, Guadalupe Posada), especially in post-revolutionary Mexico. Jan used this technique and mixed it with collage and paint and incorporated fragments from song lyrics and conversations. The work was exhibited at various exhibitions, including The Fringe Gallery, Glasgow, and Out of the Blue, Edinburgh. The exhibitions also featured installation and Jan’s first foray into moving image in her edited footage from the San Isidro Labrador fiesta (Dia de los Locos) and of the Soteno family, tree of life artists from Metepec, Mexico. The poet Gerry Loose was a contributor to one of the exhibition events.

Santero, Cuba Photgraph: Jan Nimmo and woodcut portrait of Carlos Soteno, Mexico by Jan Nimmo
 
MEMORIAS GRABADAS
 

This exhibition of woodcut portraits recorded many of the people whom Jan had met during journeys through various Latin American countries, and included a number of new works portraying banana plantation workers and trade unionists from Costa Rica and Ecuador. It also featured work made about Mexican and Guatemalan mythology and politics. This exhibition was shown at various venues including Art Link's Functionsuite galleries.

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Anbaba el jaguar - detail of watercolour by Jan Nimmo and detail of Duo Cempoala, Mexico by Jan Nimmo